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Theatre and Performance Studies

Exploring culture and identity through performance

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Delve into a vibrant spectrum of drama and performance, including theatre, dance, and live art. From political rallies to sacred rituals and pop stars, we explore how performance shapes culture, history, and personal identity.

The Theatre and Performance Studies program at the University of Sydney attracts global academic visitors and boasts renowned research staff in theatre, dance, dramaturgy, and more.

Our graduates pursue diverse paths, from professional theatre, dance, and production management to drama teaching, arts administration, and beyond while others leverage the discipline's insights and research skills in fields like law, medicine, public administration, social justice, and foreign affairs. Many of our students pursue postgraduate study and become tertiary-level educators.

Our study offering

Theatre and Performance Studies looks at a broad range of aesthetic, social and everyday performances across theatre, dance or live art and the stage, to the performative dimensions of politics, sport, cinema and popular culture. Explore a range of different approaches to performance making, engage with professional artists-in-residence and learn how to document performative events and build these observations into a detailed critical analysis.

Undergraduate

*Available to all students studying theBachelor of Arts,Bachelor of EconomicsԻBachelor of Visual Arts, as well as all combinedBachelor of Advanced Studies𲵰. į

Postgraduate Research

Current postgraduate research

  • Faryad Ali:The Relationship between traditional performance forms and post-colonial theatre: A study of Kurdish Theatre’s hybridisation(ѱʳ󾱱)
  • Neil Anderson:The Goethean actor: Rudolf Steiner's indications(PhD)
  • Tess de Quincey:What can 'Body Weather bodies' do? (PhD)
  • Samuel Dobson:How improvising musicians 'play what they hear': A phenomenology of sonorous musical imagination, ideation, and intention in action(PhD)
  • Richard Hunter:The cultural topography of entertainment: The Sydney theatre district 1880-1940(ʳ)
  • Bridget Mac Eochagáin:Radicalising rape on stage(ʳ)
  • Margie McCrae:An Australian children's theatre: A case study(MA(Res))
  • Hayden Moon:How do people embody the complexities of an intersectional identity through performance(PhD)
  • Adam Moulds:The rogue less travelled: The history of training writers at the National Institute of Dramatic Art(PhD)
  • Jimena Puente-Trevino:Los Empeños de una Casa(The errors of a house): Sor Juana Inés de la Cruz (Mexico City 17th century theatre)(MA(Res))
  • Harrison Werlemann-Godfrey:Authenticity creativity and genre: An ethnography of classical music in Sydney Australia(ʳ)

  • Joseph Appleton (2024):Enduring Unpredictability (Losing the Present)(ʳ)
  • Lawrence Ashford:Towards a Poetics of Interactive Theatre: Recognising Audience Agency over Narrative(ʳ)
  • James Dalton:Medicine and its double: Doing dramaturgy with medical students in an Australian teaching hospital(PhD)
  • Aine De Paor (2022):Staging Ireland Down Under(ʳ)
  • Peta Downes (2024):Independent or Entrepreneur? The impact of economic rationalism on Australian fringe theatre practice(ʳ)
  • Melissa Fenton (2022)Behind the Red Curtain: An Ethnographic Exploration of the Global Musical Theatre Industry as a Workplace(PhD)
  • Rowan Greaves (2024):White Faces and Nervous Laughter: Subversive Comedy in Australian Performance(MA Research)
  • Jesse Jensen-Kohl:From the Pram to the world stage: The history and development of Circus Oz(PhD)
  • Jeremy Johnson (2024):Diane Cilento:Karnak and The Spirit of Performance(ʳ)
  • Jiva Lath Namsal (2024):Theatre of Nepal: Dynamic Interplay of Activist Aesthetic and Embodied Knowledges(PhD)
  • Izabella Nantsou:The subsidy question: Community theatre and the integral state(PhD)
  • Sean O’Riordan(2024):Shakespeare is Good for You – ‘An Olympic Course in Acting’ – Shakespearean performance techniques as training tools in contemporary acting conservatoires(M.Phil.)
  • Lucinda Petchell:Embodied Cities, Citied Bodies: Assembling Urban Research through Movement(PhD)
  • Kerrie Roberts (2022):Shakepeare’s Hereditary Queen(MA Research)
  • Garry Seabrook (2022):The Complementarity of Being: A Reconceptualization of reality, the Present Moment, and Human Embodiment(ʳ)
  • Lillian Shaddick (2024):Leisurely SeekingDuende:Meaning making through the embodied experience of flamenco dance(PhD)
  • Toby Wong (2024):Performing exoticism in a globalised world: Puccini’s operas in the 21st century(MA Research)
  • Ting Zheng (2024):Transformational Role of the Dramaturgy between Drama Production Teams, Critics and Audiences in the Transitional Society of China(PhD)

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Explore the major

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Find out more

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Rex Cramphorn Memorial Lecture

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Join us on 18 March

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Manual Name : Associate Professor Ian Maxwell

Manual Description : Discipline Chair

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Our research

Our focus includes the expansive realm of performance and its intricate production and reception processes. Our areas of expertise include:

  • Australian theatre and dance history
  • Performance-making processes: theories of acting, dramaturgy, ethnography of rehearsal
  • Historical rehearsal processes and performance practices in Europe
  • Performance and health
  • Performance and social change
  • Placemaking and embodiment
  • Creative practice as research

Our facilities

The Rex Cramphorn Performance Research Studio is our fully-equipped studio facility available to external practitioners through our artist-in-residence program. “The Rex” is located on Level 1 of the John Woolley Building (A20). The studio can be accessed directly from Manning Rd.

Experience artistic collaboration at the Rex Cramphorn Performance Research Studio, where professional artists join forces with our staff and students to advance research in theatre and performance studies. Refer to theto stay updated on our projects and events.

The Rex Cramphorn Studio, named in honour of a brilliant theatre director and innovator, with significant ties to the discipline, is a versatile open space. This rectangular studio offers practitioners ample room for rehearsals, workshops, and performances, adapting to various formats with ease.

The Studio boasts a main sprung floor and a small foyer area with a kitchenette and toilets. There is also a mezzanine level housing toilets, changing rooms, and showers. The studio is well-equipped with a semi-flexible lighting grid, rated rigging positions, a new LED theatre lighting package with control, a ceiling-mounted data projector, an audio control desk, and a PA system.

Studio size specifications:Length 12.7m | Width 8.5m | Height 4m.

The Rex Cramphorn Performance Research Studio

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The annual program of artist residencies in the Rex Cramphorn Performance Research Studio is curated and managed by the Placements and Project Coordinator, Dr Barbara Campbell. Artist residencies are offered with the expectation that artists engage with the teaching and research programs of the discipline; this may include student observation, skills workshops, research collaborations with academics, seminar presentations for postgraduates, or invitations to showings.

Expressions of interest for Round 1 2026 Rex Cramphorn Studio Artist-in-Residence program are now open and close in late October.ContactBarbara Campbell (barbara.campbell@sydney.edu.au) if you’d like to discuss how your project can be integrated within the discipline’s teaching and research programs prior to submitting your EOI. Only applications for residencies of three- or four-weeks duration between 12 January and 30 July will be accepted in Round 1. Round 2 EOIs for August–December 2026 will open in April 2026.

The discipline publishes a peer-reviewed journal,About Performance, which provides an international forum for analysis, theory and critique by academic researchers and performance makers. We welcome articles that bring theoretical perspectives derived from other disciplines to bear on performance practice. The journal is published annually, and each issue is devoted to a single theme.

Distributed viaԻ. Editor:.

Banner image:Angela Goh,Sky Blue Mythic, developed at the Rex Cramphorn Performance Research Studio for Keir Choreographic Awards, Carriageworks, 2020. Photo: Zan Wimberley.

Our people

  • Dr
  • Associate Professor
  • Associate Professor

  • Associate Professor,Chair of Discipline
  • Associate Professor, Undergraduate Course Component Coordinator
  • DrIsabelle Hesse, Honours Coordinator
  • Dr Paul Dwyer, postgraduate enquiries

Contact us

School of Art, Communication and English

John Woolley Building (A20),
The University of Sydney, NSW, 2006

Phone: 1800 SYD UNI (1800 793 864) (in Australia)
+61286271444(outside Australia)

Email:sace.enquiries@sydney.edu.au

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